I’m currently building a small recording booth in my study using mostly IKEA furniture, so this article on MusicRadar How to Build Your Own Studio in 11 Easy Steps was a well-timed read for me (even if not all of their eleven steps seem that easy to me!). I like their idea of plonking a whole new pre-built building down and fitting it out from scratch, but that’s not an option for me right now, so I’m using one side of my study/granny flat, some large IKEA cupboards, and some padding from IKEA and Clarke Rubber. I’ll post photos of my progress as I go.
It’s not designed for music production, with sound proofing strong enough to acoustically isolate a drum kit. I just need the ability to record voice and Foley performances without the sound of my PC fan and hard drives chattering coming through onto the recordings.
It’s coming along, but it’s taking longer than I expected (of course) and the booth door is still going to be a challenge.
Thanks to twitterer JamezRC, I saw this article about an oddly elongated, and slightly controversial, sculpture being built in the UK, and as soon as I saw the picture of the proposed design (on left) I, it struck me that it was just a normal head that had been stretched in software before being created.
So by squashing the image by about 66%, I ended up with a normal looking head (on right) – I wonder if the face belongs to a real person?
Even as a kid, I knew there were sound effects out there that were being used over and over again in films. Certain rock-falling sounds, certain gunshot sounds, certain horror sound effects. Before I started to take a strong interest in post production I could tell that there were sound effects that “did the rounds” amongst sound mixers.
Tonight a student asked me about one of them and he reminded me that this one had a name – The Wilhelm Scream. For a history of the scream (“screams plural actually) read this brief history from HollywoodLostAndFound.net, where you’ll also find a list of films that it has appeared in. To hear a few different takes of the scream in medium quality, check out this freesound page. Anyone my age or younger who has watched (and rewatched) films edited and/or mixed by Ben Burtt will instantly recognise the scream(s), but I didn’t realise until tonight how far back its history went – all the way to 1951.
Now if I can just figure out a way to incorporate it into a future project, I’ll be happy.
Despite appearances, this website is not dead. Behind the scenes I use my web server all the time for sending files to fellow filmmakers and clients, but I haven’t updated the actual pages for years (only two updates in almost three years). So today I loaded up a new theme (Atahualpa Theme by BytesForAll), tweaked it a bit with my own images, and added a Twitter widget to the side panels.